Co-Directors Chris Cassidy and Chris Kenneally’s documentary film 22 opens with an ominous early morning setting. Army veteran Jeremy Stalnecker is fixing himself a drink, all while overlayed text displays information many viewers will find outright upsetting. The data is all there, listing the alarming percentages of military suicides for all to see. The numbers are hard to stomach, and with Veterans Day on the horizon, Jeremy has found his ultimate tribute to those who have lost their lives and to those still fighting.
The documentary chronicles Stalnecker’s quest to complete 22 marathons across 22 days, a feat that demands mental and physical fortitude all the way through. Jeremy’s end goal is a noble one—raising awareness for the veteran suicides and for a tangible solution in the Mighty Oaks recovery plans. Cassidy and Kenneally aren’t afraid to get up close and personal with ex-military and their families, turning the film into a ride-along for Jeremy’s runs and an insightful portrait of his and many other soldiers’ unique experiences before and after their service. These sit-downs are detailed and in no way hide the ugly reality many go through and how that trauma extends to family members who have no way of seeking help. This is where we are introduced to Mighty Oaks, a faith-based program spearheaded by Jeremy and many of their like-minded veterans.
The story offers so much more than a by-the-numbers account and something that genuinely comes across as a narratively sound journey of a real-life event. What starts out as a lone mission for Stalnecker ends with a feel-good community run organized by his foundation.
The filmmaking on display is also commendable. For starters, it’s very well shot and directed. From its effectively staged interviews, well-composed cinematography (the drone shots are fabulously utilized at different times of the day), and plentiful archival photos/videos, 22 ticks every box on a technical level, helping to uplift its narrative even further.
22 takes a sensitive yet vital topic and turns it into something accessible for its audience, all while spotlighting efforts to actively support those in need.
