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THE RIDE
TRUST IN LOVE
DEBT MEN
A TIME FOR EVERY PURPOSE
MY NIGHTS GLOW YELLOW
PERSPECTIVES
SARAJIN
ONE FOR THE ROAD
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THE AFTER
Misan Harriman and David Oyelowo’s The After is no easy watch. It tears a life down without remorse, only to reconstruct it with grace and
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THE RIDE
We often hear the phrase “life dealt someone a bad hand”. It’s a very common sentence that aptly describes a person who’s had it rough
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TRUST IN LOVE
A sentimental throwback to classic breakup movies, Trust in Love finds a now-over-the hill musician on the ropes. Though his hugely successful run in the
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DEBT MEN
Sydney (Alex Désert) and John (Travis Myers) are two career criminals caught in a meetup gone sideways with fellow crook Marion McKay, only to begin
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A TIME FOR EVERY PURPOSE
Faith-based filmmaking has always gotten the cold shoulder when it comes to critical and commercial accolades. There’s only so many times one can attempt to
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MY NIGHTS GLOW YELLOW
Our own inability to form relationships is becoming a bigger problem than any of us would care to admit. Fresh off a global pandemic and
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PERSPECTIVES
Just how elusive is the truth in the digital age? How much of what we are allowed to see is the full story? These are
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SARAJIN
Disquieting in its own unconventional way, the beauty of Sarajin (Korean for ‘disappearing’) is in a class of its own as it tackles climate change
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ONE FOR THE ROAD
It’s not often that Stephen King’s works get the indie treatment, what with all the botched major motion picture productions coming and going. One for