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THE MASTERPIECE
I’M NOT A ROBOT
NEITHER DONKEY NOR HORSE
CALF
PICTURE DAY
TOMORROW
THE DOG
HIS MOTHER

LOST LOVE
A rousing drum intro rolls through the opening credits as crowds cheer in the distance. But as we fade in on rock musician Jack (James

THE MASTERPIECE
Value is in the eye of the beholder, or so they say. In The Masterpiece (La Gran Obra), it appears in the strangest of ways.

I’M NOT A ROBOT
What could possibly be more infuriatingly repetitive than solving a Captcha before a login? If you’ve spent any decent amount of time browsing the internet,

NEITHER DONKEY NOR HORSE
If there’s one thing the history books have taught us is that humanity is far from being error-prone, especially when faced with the prospect of

CALF
Horror can be many things. It’s what you see, and sometimes what you don’t. In most cases, it’s purely the idea that festers inside your

PICTURE DAY
Being on the cusp of your teenage years can be a scary prospect. It’s the cutoff point where the world begins to feel more tangible

TOMORROW
When Tomorrow begins, you almost want to rush to the credits to see if this is an unreleased Pixar short. The kind Disney plays in

THE DOG
Pets are a part of the family, a sentiment that has always held strong in households across time. Whether they enter our lives by choice

HIS MOTHER
Nobody and nothing can prepare families for the unthinkable. A concerning e-mail from her son Harrison (Ben Irving) sends Julie (Bethany Anne Lind) on a