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I’M NOT A ROBOT
KING SAUD
NEITHER DONKEY NOR HORSE
METHOD & MADNESS
UNDERTAKER
BAJO LA TIERRA
A-TRAIN: NEW BEGINNINGS
MEAL TICKET

THE OBJECT
A rush of pure nostalgia leaps off the screen when The Object first opens. A rocky beach with toys and rubbish scattered across the sand,

I’M NOT A ROBOT
What could possibly be more infuriatingly repetitive than solving a Captcha before a login? If you’ve spent any decent amount of time browsing the internet,

KING SAUD
King Saud is a Hollywood murder mystery that touches on police corruption, international terrorism and high end prostitution. Maybe not rising to the level of

NEITHER DONKEY NOR HORSE
If there’s one thing the history books have taught us is that humanity is far from being error-prone, especially when faced with the prospect of

METHOD & MADNESS
Revenge is a dish best served cold, they say. The forms it can take are numerous, but in Anna Russell’s female-centric thriller Method & Madness,

UNDERTAKER
A man (Dustin Teuber) in a suit and tie slowly awakens next to train tracks. Fear emanating from his eyes as he realizes he is

BAJO LA TIERRA
Alta, California. The year is 1845, and Alma’s (Susana Elena Boyce) obsession with her pottery enterprise is growing by the day. Isolated in her cottage,

A-TRAIN: NEW BEGINNINGS
Chris Carthern pays homage to The Boys series with a wildly entertaining fan film that sets a new standard for the genre. A-Train: New Beginnings

MEAL TICKET
Sometimes life doesn’t allow for compromises. At least not in director Wes Andre Goodrich’s Oscar-qualifying short film Meal Ticket. Ambition, honesty, and selfishness clash in