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GABRIELA
I’M NOT A ROBOT
LOVESICK
KING SAUD
METHOD & MADNESS
UNDERTAKER
NIGHT TERRORS
BAJO LA TIERRA

THE OBJECT
A rush of pure nostalgia leaps off the screen when The Object first opens. A rocky beach with toys and rubbish scattered across the sand,

GABRIELA
Big or small, the goals we have in life exact some sort of toll on us. They are there to test whether we truly want

I’M NOT A ROBOT
What could possibly be more infuriatingly repetitive than solving a Captcha before a login? If you’ve spent any decent amount of time browsing the internet,

LOVESICK
Elias (Clint Ruben) spends his days in an open psych ward in Denmark. His well-being dangles above a dangerous gorge, his thoughts ravaged by harmful

KING SAUD
King Saud is a Hollywood murder mystery that touches on police corruption, international terrorism and high end prostitution. Maybe not rising to the level of

METHOD & MADNESS
Revenge is a dish best served cold, they say. The forms it can take are numerous, but in Anna Russell’s female-centric thriller Method & Madness,

UNDERTAKER
A man (Dustin Teuber) in a suit and tie slowly awakens next to train tracks. Fear emanating from his eyes as he realizes he is

NIGHT TERRORS
Nineteen year old college freshman Natalie Mercer (Macey Shackleford) arrives at the doorstep of her psychology professor’s home. Expecting a living room full of students

BAJO LA TIERRA
Alta, California. The year is 1845, and Alma’s (Susana Elena Boyce) obsession with her pottery enterprise is growing by the day. Isolated in her cottage,