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KILLING BORIS JOHNSON
DEATH AND RAMEN
THE FARM
THE DRUG DEAL
TITS
CORVINE
VAX
THE 31st AMENDMENT

MY EYES ARE UP HERE
At the moment of mutual consent, one night stands all probably seem like a good idea. Then the morning arrives, and in all likelihood, there’s

KILLING BORIS JOHNSON
Killing Boris Johnson, directed by Musa Alderson-Clarke, is a wounding drama that miraculously and adeptly exorcizes some of the searing anger etched deep within British

DEATH AND RAMEN
Like the richly flavorful broth it so heartily showcases, Death and Ramen is a delicious blend of genre filmmaking with a whole lot on its

THE FARM
The rural countryside has never looked better than in Ryan Pace’s drama, The Farm. From its opening frame to the final still shot, it’s technically

THE DRUG DEAL
The Drug Deal, written and directed by Tanya O’Quinn, is a self-described Covid-19 comedy. The film makes use of the minimal locations forced about by

TITS
Tits, written and directed by Eivind Landsvik, is a visually stunning coming-of-age tale. The film mixes sea, sun and self-consciousness in a truly marvelous and

CORVINE
Finding your own voice can be a daunting venture, but as Sean McCarron’s Corvine proves, everyone deserves a chance at discovering it and beyond that,

VAX
Vaccines and viral outbreaks are fresh in the minds of filmgoers, both as real-life events and as popular premises for films. Vax begins with a

THE 31st AMENDMENT
Directed by Marc Danbury, The 31st Amendment looks and feels like the indie answer to The Hunger Games, with a hint of The Purge franchise