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SEVAP/MITZVAH
A LOVELY DEATH
LIES
THE 31st AMENDMENT
COMMUNICABLE
MESSY BOYS
WHERE THE LIGHT ENTERS
HomeBound

Miguel del Campo
Miguel del Campo is a Mexican-born independent filmmaker with a handful of horror-dramas under his belt. He studied filmmaking at UPAEP in Puebla, Mexico, and

SEVAP/MITZVAH
Set against the grim backdrop of two great wars, Sabina Vajraca’s Sevap/Mitzvah is a transcendent story of unlikely friendships that remarkably defy the ethnic, religious,

A LOVELY DEATH
Death, as a concept and as an entity, has received numerous on-screen iterations throughout the years. Perhaps most significantly, in Ingmar Bergman’s iconic The Seventh

LIES
Director Rachel Taggart’s Lies is a 4 minute film that is hard to categorize at first. It begins on a cheery, sun-soaked afternoon as a

THE 31st AMENDMENT
Directed by Marc Danbury, The 31st Amendment looks and feels like the indie answer to The Hunger Games, with a hint of The Purge franchise

COMMUNICABLE
Communicable is a surrealist science fiction film by writer/director David Lawler. So by definition, the feature film seeks to undertake an exploration of dreams and

MESSY BOYS
At first glance, Messy Boys appears to be a very contemporary and oddly familiar horror flick with all the hallmarks of its subgenre lined up

WHERE THE LIGHT ENTERS
Mary (Paige Sciarrino) is encompassed in darkness. An out of work, struggling actress, it would be hard to find a single actor who hasn’t felt

HomeBound
HomeBound – written, directed and produced by Usher Morgan – is a claustrophobic look at the challenges of Agoraphobia. When Jamie (Katie Vincent) loses her