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GLENN GARRABRANT
MESSY BOYS
BABA
A TIGER IN THE SUBWAY
BO LEGS: MARVIN ARRINGTON SR., AN ATLANTA STORY
AFTER THE BEEP
WE THRIVE
A FOX IN THE NIGHT
GoGo 274
Forrest Sassaman’s Gogo 274 feels like a forgotten apocalyptic thriller from the 1980’s. A film unearthed a whole generation later during an era where its
GLENN GARRABRANT
Glenn Garrabrant is a filmmaker and the founder of the Illinois-based indie film house Logan Avenue Productions. With an emphasis on meaningful storytelling, Glenn has
MESSY BOYS
At first glance, Messy Boys appears to be a very contemporary and oddly familiar horror flick with all the hallmarks of its subgenre lined up
BABA
Baba is a chaotic experience that is, at the same time, very precisely controlled; there is not a single second that feels wasted on anything
A TIGER IN THE SUBWAY
James Abrams’ A Tiger In The Subway promises a fresh and completely different tale of terror right from its first finely crafted frame – flipping
BO LEGS: MARVIN ARRINGTON SR., AN ATLANTA STORY
Marvin Arrington Sr. is a name most might not be familiar with. A quick Google search identifies him as an American judge from the Fulton
AFTER THE BEEP
One-man-show-type films are always a coin toss, with filmmakers often overcomplicating their concepts or overindulging in their own abilities as on-camera performers. There’s a delicate
WE THRIVE
The secret behind any decent documentary is its natural ability to introduce its audience to something unfamiliar. A new perspective that draws the viewer in
A FOX IN THE NIGHT
It’s rare for a debuting filmmaker to have all the ingredients laid out before them and know what to do with each. Even more difficult