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ORIGINAL SKIN
Miguel del Campo
THE 31st AMENDMENT
SYMPTOMATIC
BABA
RIOT (Desmadres)
AN IRISH GOODBYE
ESPERANZA

MARY OF ASTORIA
Faith and religion are important elements in a person’s life, especially when it comes to relationships between couples and understanding one’s own values. Mary of

ORIGINAL SKIN
In a dystopian reality where intercourse involves switching bodies with another person, a young woman named Bea (Sorcha Groundsell) must challenge the ideals of her

Miguel del Campo
Miguel del Campo is a Mexican-born independent filmmaker with a handful of horror-dramas under his belt. He studied filmmaking at UPAEP in Puebla, Mexico, and

THE 31st AMENDMENT
Directed by Marc Danbury, The 31st Amendment looks and feels like the indie answer to The Hunger Games, with a hint of The Purge franchise

SYMPTOMATIC
A true stomach-churner of a film, Symptomatic gets up-close-and-personal with a rather scary and all-too common occurrence. Angie (Kate Williamson) arrives at the clinic of

BABA
Baba is a chaotic experience that is, at the same time, very precisely controlled; there is not a single second that feels wasted on anything

RIOT (Desmadres)
Álvaro Gabarrón’s second short Riot (Desmadres), is a nearly 28-minute-long tragicomedy with its heart in the right place. There is no denying the affection felt

AN IRISH GOODBYE
Gentle, funny and touching, Tom Berkeley and Ross White’s short dramedy, An Irish Goodbye, just about achieves all of its modest ambitions. It seamlessly sustains

ESPERANZA
Esperanza tells the story of human beings being inhuman to each other. In this case the title character (Giselle Marie Muñoz) is an undocumented immigrant,