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COKE BOYS
GOODBYE, PETRUSHKA
THE CROOK AND THE CREEK
ROB MOR
THE MANAGER POSITION
AND THE HEAVENS MUST HAVE CRIED
DIRECTOR – ALFRED PEK
COUNTING DOWN

BROTHERLY LIES
A seemingly mundane opening scene of two friends troubleshooting code gives the viewer entry into a story where life decisions are made with the heart,

COKE BOYS
Props to filmmaker Omar Cook for multitasking. He writes, co-produces, edits, shoots, co-directs, and stars in the latest crime short Coke Boys. Sure, the 20-minute

GOODBYE, PETRUSHKA
When it comes to rom-coms, a completely smitten young boy/man almost always gets top billing. He stammers about, doing all the wrong things – but

THE CROOK AND THE CREEK
Commendable for its production values and an acute sense of pacing, Bruce Wabbit and Sohaib Syed’s The Crook and the Creek touches upon something truly

ROB MOR
Take2IndieReview sits down with award-winning writer, producer and actor Rob Mor. Where were you born and raised? I was born in Honolulu, Hawaii and grew

THE MANAGER POSITION
Want to see a film that speaks to a situation so many of us have been in? Craig Trow’s The Manager Position is so quickly

AND THE HEAVENS MUST HAVE CRIED
And The Heavens Must Have Cried takes place in the Summer of 1968, and follows Charles Manson and four of the women who fell under

DIRECTOR – ALFRED PEK
Take2IndieReview sits down with Director Alfred Pek to discuss his documentary film Freedom Street. People fleeing their homeland from war and oppression is nothing new.

COUNTING DOWN
Mental illness is not an easy thing to understand – especially if you’ve never actually experienced a bout. But the medical community has long included