DISINGENUOUS

Modern-day horror thrillers thrive off of taking difficult, deeply personal traumas and giving them a monstrous makeover – often as a physical entity. Daniel James

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#Anniversary

As far as sci-fi shorts go, Ellis E. Fowler’s #Anniversary begins rather unassumingly. It’s a jovial day as groom-to-be Eric Fuller (Fowler) prepares in his

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A LOVELY DEATH

Death, as a concept and as an entity, has received numerous on-screen iterations throughout the years. Perhaps most significantly, in Ingmar Bergman’s iconic The Seventh

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URBAN DECAY

Maya Mizrahi’s grounded ode to a deteriorating cityscape brings with it a catchy electronic number produced by Itay Shaked and an interesting subtext behind it.

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DADU

In a world where romance movies lack enough sincerity to have a lasting impact, Raghav Puri’s Dadu serves as the offbeat, refreshing film to upend

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LIES

Director Rachel Taggart’s Lies is a 4 minute film that is hard to categorize at first. It begins on a cheery, sun-soaked afternoon as a

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THE 31st AMENDMENT

Directed by Marc Danbury, The 31st Amendment looks and feels like the indie answer to The Hunger Games, with a hint of The Purge franchise

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SYMPTOMATIC

A true stomach-churner of a film, Symptomatic gets up-close-and-personal with a rather scary and all-too common occurrence. Angie (Kate Williamson) arrives at the clinic of

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