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#Anniversary
A LOVELY DEATH
URBAN DECAY
DADU
THE REDEEMABLES Part 1
LIES
THE 31st AMENDMENT
SYMPTOMATIC
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DISINGENUOUS
Modern-day horror thrillers thrive off of taking difficult, deeply personal traumas and giving them a monstrous makeover – often as a physical entity. Daniel James
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#Anniversary
As far as sci-fi shorts go, Ellis E. Fowler’s #Anniversary begins rather unassumingly. It’s a jovial day as groom-to-be Eric Fuller (Fowler) prepares in his
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A LOVELY DEATH
Death, as a concept and as an entity, has received numerous on-screen iterations throughout the years. Perhaps most significantly, in Ingmar Bergman’s iconic The Seventh
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URBAN DECAY
Maya Mizrahi’s grounded ode to a deteriorating cityscape brings with it a catchy electronic number produced by Itay Shaked and an interesting subtext behind it.
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DADU
In a world where romance movies lack enough sincerity to have a lasting impact, Raghav Puri’s Dadu serves as the offbeat, refreshing film to upend
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THE REDEEMABLES Part 1
Marty (Alexander Reed) has lost his parents – and the big, old house is his. Unfortunately, the large Brooklyn structure is in supreme disrepair, and
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LIES
Director Rachel Taggart’s Lies is a 4 minute film that is hard to categorize at first. It begins on a cheery, sun-soaked afternoon as a
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THE 31st AMENDMENT
Directed by Marc Danbury, The 31st Amendment looks and feels like the indie answer to The Hunger Games, with a hint of The Purge franchise
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SYMPTOMATIC
A true stomach-churner of a film, Symptomatic gets up-close-and-personal with a rather scary and all-too common occurrence. Angie (Kate Williamson) arrives at the clinic of